Complete Chord Mastery course: https://www.musictheoryforguitar.com/chords-and-harmony-guitar-lessons.html Master of the Modes course: …
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Copyright (c) 2020 – All rights reserved.
Complete Chord Mastery course: https://www.musictheoryforguitar.com/chords-and-harmony-guitar-lessons.html Master of the Modes course: …
source
© 2020 Copyright - All rights reserved.
Every time someone tell you that a song is copied from classical music… link them here!
And if you have little time… examples start at 6:34. (I know that after seeing them you will watch the videos from beginning lol)
I'm guessing this sort of historical harmony theory isn't in your guitar theory materials, so any pointers to good sources for it? The whole idea of the Romanesca and similar harmony-based patterns is kind of fascinating…
I waited for "fly me to the moon" during the whole video , for me it was so obvious
wow .. new things for me to learn to create melody .. i try not to copy others patterns .. thank you million times sir ?
All together now – the farm
You are the boss.
But, can we make different music?
It's like pink floyd, they where amateurs musisians whit different roots, and they create the psycodelic music.
Is that the same?
Greetings from Mexico.
Enjoy!
Bravo! What a great educational video. Your knowledge is truly impressive!! Thank you
Another excellent tutorial, Tommaso. You cut right to the essential elements of what, in musical terms, makes the music sound & feel the way it does. The history of how music is made is really important as we can't assume that musicians had the same motivations, working methods or music theory then as now, as highlighted when you noted that music theory in the days of Romanesca was about composition rather than analysis, reminding us of the importance of history & culture. The way you demonstrate how Romanesca works is superb, like watching Penn & Teller explaining how magic tricks works. Music isn't a trick. but like magic tricks it is cognitive. Best wishes, E r i c
Have you ever wondered about the problem of
emphasizing harmony in accompaniment
during improvisation with chord changes? 😀
Depending on the type of chords
how to emphasize their specific type.
ii V I
or
ii13 Vb9 I11
or
ii11 V11 I13
or
susii susV susI 😀
That was incredibly interesting and useful. Many thanks once again Tomasso.
I see Steven Tyler, I click fast wahaha
Ya know, I was going to say that but it's already been said. 😉
Can you do a video on polyphony and how to use it practically to achieve certain feelings? I was taught to almost randomly fit together "allowed" intervals and had no idea how it would impact the sound I was creating.
Or do a video on writing bass lines below already existing chords or melodies, which is somewhat similar. It would be much appreciated!
OMG! 7:24 sounds almost like the Main Motif from Undertale! ? That's so interesting. I always wanted to learn more about how classical composing, but it's pretty hard to find info about that stuff that is easy to understand. Luckily this video exists ?✨
You sir, are a genius, wonderful video. Every time I watch one of your videos I feel like it unlocks something I knew within but was unable to articulate, I wish I had this channel when I was a kid.
Excellent lesson! Thank you so much. And it makes perfect sense now that you have explained it.
Very nice!
yeah it's gonna be like 14 hours I just did 2 and then it will be finished
Very nice class.
what a fascinating video, thank you!!!