TWITTER: https://twitter.com/MicTheSnare INSTA: https://www.instagram.com/micthesnare/?hl=en SPOTIFY PLAYLIST: …
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Copyright (c) 2020 – All rights reserved.
TWITTER: https://twitter.com/MicTheSnare INSTA: https://www.instagram.com/micthesnare/?hl=en SPOTIFY PLAYLIST: …
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© 2020 Copyright - All rights reserved.
Two quick corrections:
1. Grimes' 2012 record was called Visions – "Oblivion" was a song off of it.
2. osquinn's former name was p4rkr – in the video, it was spelled p4rker.
Thanks again for watching, everyone!
Very well put together
What the hell is hyper pop
never met by cmten probably fits in this category oh-
Loved the video: I'm glad the algorihtm recommended you
i hope not bc it will lose its charm if it becomes mainstream
also the definition of it is massively overgeneralized in this vid so yeah its a lot more than what its said to be
Lol what was the remix of 100 gecs in animal crossing language you played at the beginning?
Soulja Boy.
Does anyone know the 100 gecs song at 8:54
This is basically EDM with extra steps
e-eyes lit
Hi mic, would you mind adding a recommended listening section to your descriptions?
Also – because I don't really have the spare energy to form a coherent narrative – a few notes:
(0) I mean isn't everything pop nowadays? It seems there no longer is a really coherent pop sound, instead pop today seems more like an ever expanding tapestry of a variety of genre-elements. Rock, Hip Hop, Techno, Dubsteb, Trap (and many more) are still there, they just became elements used in highly produced pop. I don't dislike this development; maybe it would be better to think of genres es sort of epochs instead of as distinct sounds.
(1) This seems to all tie in with with kind of a rise of minority representation on the internet. More then in the past there is increasingly a way for genre-musicians to rise to fame outside the constraints of industrial (in the big-corp sense not the genre) pop. Hyperpop seems kind of funny in that regard, because it actually borrows from pop so it's very meta.
(2) I don't think there is a clear line between satirical music and serious music. Sparks and Knorkator (German band, worth to check out, maybe with translations of the lyrics) immediately come to mind. Zappa too. In fact, since hyperpop ties in with queer culture: Satire is a big part of drag. I think this is a false dichotomy. You can be satirical, emotional all at the same time; in the end satire is just a performance in which the performers are aware of and perform their performance (in a 4th wall break-y way).
(3) Queerness. We had this once before. Remember Hair rock? 70es? And then aids happened. And then there where few queer people left. This is around 25-30 years post-aids. And now we also have the internet. And we now have the internet.
You can't mention hyper pop without mentioning Grace Jones
Yeah, lost me at trans and nonbinary stuff
QT is also not a real woman
Was Fancy by Iggy Azalea Hyperpop is a legitimate question
I like some of these artists but I don’t like ALL of their work, maybe 2 or 3 songs. I don’t think I’m fully immersed in this genre lol
Dude can you do music that defined the 2000's please?
I think I'm blue started it all
And Charlie XCX used to be known as KingCharlz via the Witchouse scene
WHERE IS AYESHA EROTICA???????
1:38 nice Bo Burnham reference.
I blame Nirvana..
There could not be any hyperpop whatsoever if it hadn't been for Björk! Björk was one of the very first artists back in the 90's experimenting with these kinds of beats. Charli XCX has expressed being heavily influenced by her.